BIOGRAPHY OF ATILLA CAN
Atilla Can was born on September 2, 1969, and from an early age, he exhibited a profound passion for art that would define his life's journey. Known for his extensive dedication to the art of marbling, or "ebru" as it is known in Turkish, Atilla Can immersed himself in the intricate techniques of this traditional craft through the master-apprentice relationship at Istanbul's Zal Mahmut Pasha Complex.
Beyond being a skilled artist, Atilla Can emerged as an innovator within the realm of ebru art. His pivotal UNESCO project, initiated in 2009, aimed to secure international recognition and protection for ebru as a cultural heritage. This endeavor led to ebru art being inscribed on UNESCO's Representative List of the Intangible Cultural Heritage of Humanity, a significant achievement that underscored its global significance and ensured its preservation for future generations.
Atilla Can's contributions extended beyond preservation efforts; he advocated for the establishment of "World Ebru Day," an annual celebration to promote awareness and appreciation of ebru art worldwide. His vision for ebru transcended national borders, resonating internationally through exhibitions, projects, and cultural diplomacy initiatives that bridged diverse cultures and promoted intercultural dialogue.
One of his notable exhibitions, "Migratory Birds," held at the United Nations, exemplified his art's resonance with universal values and humanitarian themes. Atilla Can demonstrated how art, particularly ebru, could serve as a powerful tool for social responsibility, sparking dialogue on global issues.
Recognized by the Turkish Ministry of Culture as a Master of Turkish Ornamental Arts, Atilla Can's artworks grace prominent museums and collections worldwide. His influence extends to academic circles, where his works are subjects of extensive research and study, inspiring future generations of artists.
At the core of Atilla Can's artistic philosophy lies a commitment to reinterpreting traditional ebru techniques in a contemporary context, ensuring its relevance and continuity into the future. His ability to communicate ebru art as a universal language is evident in its acceptance and display in prestigious international venues, affirming its status as a global cultural treasure.
In conclusion, Atilla Can's legacy transcends his role as an artist; he is a cultural ambassador whose tireless efforts have propelled ebru art onto the world stage. Through his leadership in cultural preservation, advocacy, and artistic innovation, Atilla Can has secured ebru's legacy as a cherished cultural heritage, enriching humanity with its beauty and profound cultural significance.
